Ableton Live - 6.0 manuali

Welcome to Live

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1.2.1 Movie Import

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1.2.3 Mixing and Routing

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1.2.4 Warping

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1.2.7 Processor Maximization

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First Steps

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2.2 Setting up Preferences

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2.3 The Main Live Screen

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CHAPTER 2. FIRST STEPS 7

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Unlocking Live

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The Products Tab in the

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Preferences

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Selecting the Unlock

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Button in the Products

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The Fields for Entering

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Your Serial Number

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3.2 Step 2: Unlocking Live

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3.2.3 Unlocking Online

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3.2.4 Unlocking Ofine

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CHAPTER 3. UNLOCKING LIVE 13

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3.3 Copy Protection FAQs

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CHAPTER 3. UNLOCKING LIVE 15

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Click Here to Hide a

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Product's Features

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. They are happy to help!

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Live Concepts

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4.2 Arrangement and Session

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4.3 Tracks

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4.4 Audio and MIDI

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4.5 Audio Clips and Samples

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4.6 MIDI Clips and MIDI Files

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4.7 Devices and the Mixer

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CHAPTER 4. LIVE CONCEPTS 25

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CHAPTER 4. LIVE CONCEPTS 26

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Live's Crossfader

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A MIDI Effect, an

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Instrument and an Audio

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Effect in a MIDI Track

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4.8 Presets and Racks

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4.9 Routing

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4.10 Recording New Clips

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4.11 Automation Envelopes

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4.12 Clip Envelopes

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4.13 MIDI and Key Remote

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4.14 Saving and Exporting

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4.15 The Library

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Choosing the Library

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Bookmark

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Managing Files and Sets

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Library Is this

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Browser's Root

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The File Browser's

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Parent Folder Item

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A Folder in the Browser

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5.1.2 Browser Bookmarks

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5.1.3 Searching for Files

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Activating Browser

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Search Mode

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The Search Field and Go

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5.1.4 Previewing Files

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Dropping a Clip to

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Create a New Track

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5.1.7 Hot-Swap Mode

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5.2 Sample Files

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5.2.1 The Decoding Cache

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5.2.2 Analysis Files (.asd)

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5.2.3 File Pre-Analysis

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5.2.4 Exporting Audio

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Rendering Options

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5.3 MIDI Files

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5.4 Live Clips

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5.5 Live Sets

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5.5.2 Merging Sets

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Unfolding a Set to

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Reveal its Tracks

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Revealing the Session

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View Clips Contained in

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5.5.4 Template Sets

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5.6 Live Projects

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5.6.1 Projects and Live Sets

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A New Project Was

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Added by Saving a Live

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Set Outside its Original

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Project

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5.6.2 Projects and Presets

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5.7 The Live Library

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The Library Path

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Preference

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5.8 Locating Missing Samples

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5.8.1 Manual Repair

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5.8.2 Automatic Repair

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Automatic Repair

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Options in the File

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Manager

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Options for Collecting

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External Samples

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The File Manager's

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Collect and Save Button

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5.11 Finding Unused Samples

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Library

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6.1 Navigation

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6.2 Transport

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Scrubbing Arrangement

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Playback

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Setting the Play Position

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Position Fields

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Using Locators to

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Launch Play in the

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Arrangement

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The Locator Controls

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6.4 The Arrangement Loop

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6.5 Moving and Resizing Clips

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6.6 Selecting Clips and Time

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6.7 Using the Editing Grid

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A Gap Between Clips

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Has Been Deleted by

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First Selecting It, Then

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Executing the Delete

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Time Command

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6.9 Splitting Clips

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6.10 Consolidating Clips

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Session View

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7.1 Session View Clips

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7.2 Tracks and Scenes

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7.3 The Track Status Fields

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CHAPTER 7. SESSION VIEW 87

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7.4.1 Select on Launch

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7.4.3 Editing Scenes

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CHAPTER 7. SESSION VIEW 90

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CHAPTER 7. SESSION VIEW 91

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Clip View

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CHAPTER 8. CLIP VIEW 93

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The Clip View for an

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Audio Clip

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CHAPTER 8. CLIP VIEW 95

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8.1 The Clip Box

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8.1.3 Clip Signature

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8.1.4 Groove

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8.1.5 Clip Offset and Nudging

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CHAPTER 8. CLIP VIEW 99

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8.2 The Sample Box

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The Clip Zoom/Scroll

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The Clip Overview

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CHAPTER 8. CLIP VIEW 102

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The Clip Scrub Area

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Setting the Clip to Run

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Into a Loop

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The Clip Loop Controls

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8.2.3 Clip Pitch and Gain

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The Save Default Clip

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The High Quality Switch

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8.2.7 Clip RAM Mode

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8.2.8 Reversing Samples

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8.2.9 Cropping Samples

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8.3 The Notes Box

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8.3.1 Tempo Controls

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8.3.2 Bank and Program Change

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8.3.3 MIDI Loop/Region

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Tempo Control and Warping

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9.2 Time-Warping Samples

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9.2.1 Tempo Master/Slave

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9.2.2 Warp Markers

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9.2.3 Using Warp Markers

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A One-Bar Loop as It

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Appears in the Clip

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View, by Default

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Setting the Warp

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Markers for a Poorly Cut

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Using Warp Markers to

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Manipulate the Groove

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Auto-Warp's Results in

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The Metronome Switch

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Using the Context Menu

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Three Selected Warp

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Markers

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9.3.1 Beats Mode

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9.3.2 Tones Mode

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9.3.3 Texture Mode

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9.3.4 Re-Pitch Mode

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9.3.5 Complex Mode

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Chapter 10

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10.2 The MIDI Editor

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Previewing MIDI Notes

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Note Scale Position Is

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Shown Vertically and

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Beat-Time Horizontally

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MIDI Editor Navigation

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The Control Bar's Follow

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The MIDI Clip Scrub

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10.4 Editing MIDI

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10.4.3 Grid Snapping

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Quantizing MIDI Notes

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Copying (Left) and

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Pasting (Right) a Loop

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10.4.6 Changing Note Length

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10.4.7 Editing Velocities

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10.4.8 Deactivating Notes

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Launching Clips

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11.2 Launch Modes

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11.3 Clip-Level Quantization

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11.4 Velocity

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11.5 Legato Mode

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11.6 Follow Actions

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The Follow Action

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Controls

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11.6.2 Creating Cycles

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Routing and I/O

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12.1 Monitoring

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Audio and MIDI Track

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Arm Buttons

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12.2 Exter nal Audio In/Out

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12.3 Exter nal MIDI In/Out

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The MIDI Ports List in

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Activating the Computer

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MIDI Keyboard

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12.3.4 MIDI In/Out Indicators

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12.4 Master and Cue Outs

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12.5 ReWire Slave Routing

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An Audio Track

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Receiving Audio From

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Sending MIDI to Reason

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12.6 Resampling

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12.7 Inter nal Routings

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Two Ways to Route Track

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A into Track B

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Routing

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Tap Points for Track

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Tap Points for Every

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Chain in a Track

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An Example Setup for

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Post-Effects Recording

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Recording the Output of

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Audio Tracks

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Submixing the Individual

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Drums of a Drum Kit

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Feeding an Additional

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MIDI Track Into an

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Existing MIDI Track to

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Reuse its Instrument

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The Instrument Has

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Been Isolated in a

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Dedicated Track

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Using Impulse's

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Individual Outs to

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Separately Process

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Sample Slots

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Tracks Feeding MIDI to

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From the Parts of a

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Multi-Timbral

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Instrument

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Chapter 13

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The Session View Mixer

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The Mixer Section

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Selectors

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The Mixer Controls

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13.1.1 Session Mixer Features

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13.2 Audio and MIDI Tracks

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The Send Controls and

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Pre/Post Toggle

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The Crossfader and

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Selector

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Choose from Seven

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Crossfader Curves

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Crossfade Assign

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Buttons

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13.5 Soloing and Cueing

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13.6 Track Delays

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CHAPTER 13. MIXING 177

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Recording New Clips

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14.3 Recording

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Recording a New Clip

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Into the Session V iew

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14.4 Recording in Sync

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14.6 Recording with Count-in

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14.7 Setting up File Types

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The Scene Up/Down

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A Track Launch Button

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Working with Instruments and

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Devices in the Track

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15.1 Using the Live Devices

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MIDI and Audio Track

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A MIDI Track's Device

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Chain Can Contain All

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Three Device Types

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Device Activator

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Switches

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15.1.1 Live Device Presets

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Presets in the Device

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Browser

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The Hot-Swap Presets

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15.2 Using Plug-Ins

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The Plug-In Device

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A VST Plug-In in the

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Track View

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The Plug-In Unfold

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The Plug-In Edit Button

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15.3 VST Plug-Ins

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Setting up VST Plug-In

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Sources for Windows

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Sources for Mac OS X

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15.3.2 VST Programs and Banks

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15.4 Audio Units Plug-Ins

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Opening an Audio Units

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Plug-In Window

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Instrument and Effect Racks

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16.1 An Overview of Racks

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16.2 Creating Racks

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16.3 Looking at Racks

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Racks Can Be Very

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Compact

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Navigate Racks Quickly

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Via a Context Menu

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16.4 Chain List

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16.5 Zones

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16.5.2 Key Zones

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16.5.3 Velocity Zones

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16.5.4 Chain Select Zones

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Using Chain Select

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Zones to Create Effects

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Presets

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Crossfading Between

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Effects Presets Using

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Chain Select Zones

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16.6 Using the Macro Controls

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16.7 Racks Within Racks

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Chapter 17

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17.2 Deleting Automation

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17.3 Overriding Automation

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An Automation

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Envelope in the

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Arrangement View

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17.4.1 Drawing Envelopes

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17.4.2 Editing Breakpoints

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17.4.3 Locking Envelopes

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17.4.4 Edit Menu Commands

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Clip Envelopes

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18.1 The Clip Envelope Editor

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18.2 Audio Clip Envelopes

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The Transposition

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Envelope with Steps

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(Top) and Ramps

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(Bottom)

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18.2.4 Scrambling Beats

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Repeating Steps and

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Slowing Time with the

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Sample Offset Envelope

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18.3.2 Modulating Pan

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A MIDI Controller Clip

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Envelope

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Using a Clip Envelope to

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Create a Fade-Out Over

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Several Repetitions of a

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The Sample (Left) and

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Envelope (Right) Start

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18.5.4 Clip Envelopes as LFOs

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Working with Video

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A Video Clip with a

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QuickTime Marker

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19.2.2 The Video Window

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19.2.3 Clip View

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19.3 Matching Sound to Video

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19.4 Video Trimming Tricks

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A Video Clip at the Start

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Dragging the Start

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Marker behind the

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Pre-Roll

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The Video Clip and the

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Final Clip of Music

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The Video Clip with

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Pre-Roll Restored

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Live Audio Effect Reference

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controls dene the

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20.2 Auto Pan

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20.3 Beat Repeat

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20.4 Chorus

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20.5 Compressor I

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20.6 Compressor II

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20.7 Dynamic Tube

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20.8 EQ Eight

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20.9 EQ Three

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20.10 Erosion

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20.11 Filter Delay

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20.12 Flanger

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20.13 Gate

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20.14 Grain Delay

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20.15 Phaser

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20.16 Ping Pong Delay

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20.17 Redux

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20.18 Resonators

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20.19 Reverb

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20.19.3 Global Settings

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20.19.4 Diffusion Network

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20.20 Saturator

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20.21 Simple Delay

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20.22 Utility

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20.23 Vinyl Distortion

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Live MIDI Effect Reference

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Con & Diverge

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Pinky Up and Pinky

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UpDown

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Thumb Up and

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Thumb UpDown

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21.2 Chord

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21.3 Note Length

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21.4 Pitch

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21.5 Random

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21.6 Scale

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21.7 Velocity

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Live Instrument Reference

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22.1 Impulse

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22.1.3 Filter

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22.1.4 Saturator and Envelope

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22.1.5 Pan and Volume

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22.1.6 Global Controls

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22.1.7 Individual Outputs

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22.2 Operator

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Operator Folded

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Operator's Global

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Display

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Oscillator D's Display

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22.2.3 LFO Section

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22.2.4 Envelopes

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22.2.5 Filter Section

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22.2.6 Global Controls

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22.2.7 Glide and Spread

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22.2.9 Finally

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22.3 Sampler

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22.3.1 Multisampling

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22.3.2 Sampler's Tabs

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22.3.3 The Zone Tab

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22.3.4 The Sample Tab

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22.3.5 The Pitch/Osc Tab

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22.3.6 The Filter/Global Tab

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22.3.7 The Modulation Tab

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22.3.8 The MIDI Tab

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22.4 Simpler

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22.4.3 Zoom

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22.4.4 Envelope

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22.4.5 Filter

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22.4.6 LFO

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22.4.7 Glide and Spread

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22.5.1 EIC Installation

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MIDI and Key Remote Control

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23.1 MIDI Remote Control

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Control Surfaces Can

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Follow Device Selection

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Getting Hands-On:

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Control Surfaces Can Be

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Locked to Devices

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Dening Control

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Surfaces Manually

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23.1.3 Take-Over Mode

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23.2 The Mapping Browser

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23.2.2 Mapping to MIDI Notes

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and Twos

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065127 063001

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The Relative Session

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Mapping Strip

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The Key Map Mode

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23.3 Mackie Control

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23.3.1 Channel Strips

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The V-Pots and

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Assignment Switches

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Bank, Channel, Flip and

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Return Buttons

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23.3.4 Transport

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The Software-Specic

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Synchronization and ReWire

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Choosing a MIDI Slave

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Setting up Live as a MIDI

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24.1.3 MIDI Timecode Options

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24.1.4 Sync Delay

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24.2 Connecting via ReWire

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24.2.3 More on ReWire

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Computer Audio Resources and

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Strategies

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The CPU Load Meter

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25.1.3 Track Freeze

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A Frozen Arrangement

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Track with a Reverb Tail

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25.2 Managing the Disk Load

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Live Keyboard Shortcuts

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26.2 Accessing Menus

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26.3 Adjusting Values

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26.4 Browsing

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26.5 Transport

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26.6 Editing

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26.8 Session View Commands

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26.10 Commands for Tracks

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26.15 Clip View MIDI Editor

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26.17 Global Quantization

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26.20 Using the Context Menu

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Chapter 27

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INDEX 375

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INDEX 376

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INDEX 377

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INDEX 378

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INDEX 379

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INDEX 380

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INDEX 381

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INDEX 382

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INDEX 383

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INDEX 384

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INDEX 385

387

Modelli	Tipo di Documento
Live	Manuale Utente Setting up the MPK49 and MPD32 with Ableton Live, 16 pagine
Live - 7.0 LE	Manuale Utente Ableton Live - 7.0 LE Reference Manual, 368 pagine
Live - 6.0 LE	Manuale Utente Ableton Live - 6.0 LE Reference Manual, 351 pagine
Live - 5.0	Manuale delle Istruzioni Ableton Live - 5.0 Instruction Manual, 374 pagine
Live - 9.0	Manuale Utente Ableton Live - 9.0 Reference Manual, 611 pagine
Live Intro	Manuale delle Istruzioni Ableton Live Intro Instruction Manual, 410 pagine

Ableton Live - 6.0 manuali

Ableton Live - 6.0 Manuale Utente (387 pagine)

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