Ableton Live Intro manuali

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Ableton Live Intro Manuale delle Istruzioni (410 pagine)


Marchio: Ableton | Categoria: Software | Dimensione: 9.51 MB |

 

Indice

Welcome to Live

3

First Steps

4

The Info View and its

5

Show/Hide Button

5

2.2 Setting up Preferences

6

2.3 The Main Live Screen

7

Adjusting the Main

8

Window Split

8

Authorizing Live

9

3.1 Copy Protection FAQs

10

Protection?

11

Live Concepts

12

4.2 Arrangement and Session

13

4.3 Tracks

14

4.4 Audio and MIDI

15

4.5 Audio Clips and Samples

16

4.6 MIDI Clips and MIDI Files

17

4.7 Devices and the Mixer

18

CHAPTER 4. LIVE CONCEPTS 17

19

Plug-In Devices Are

20

Available from the

20

Plug-In Device Browser

20

The Live Mixer in the

21

Arrangement View (Left)

21

Live's Crossfader

21

4.8 Presets and Racks

22

4.9 Routing

23

4.10 Recording New Clips

23

4.11 Automation Envelopes

24

4.12 Clip Envelopes

25

4.13 MIDI and Key Remote

26

4.14 Saving and Exporting

27

4.15 The Library

28

CHAPTER 4. LIVE CONCEPTS 27

29

Managing Files and Sets

30

Library Is this

32

Browser's Root

32

The File Browser's

32

Parent Folder Item

32

A Folder in the Browser

32

5.1.2 Browser Bookmarks

33

5.1.3 Searching for Files

33

Activating Browser

34

Search Mode

34

The Search Field and Go

34

The Rescan Button

34

Closing the Search

35

Field

35

... Locates the File Last

35

Selected Among the

35

Search Results

35

5.1.4 Previewing Files

36

The Preview Switch

37

The Preview Volume

37

Dropping a Clip to

38

Create a New Track

38

5.1.7 Hot-Swap Mode

39

The Hot-Swap Browser

40

5.2 Sample Files

41

5.2.2 Analysis Files (.asd)

42

5.2.3 File Pre-Analysis

43

5.2.4 Exporting Audio

43

The Rendered Track

44

Chooser

44

Audio Rendering

45

Options

45

5.3 MIDI Files

46

5.4 Live Clips

47

5.5 Live Sets

48

5.5.2 Merging Sets

49

Unfolding a Set to

50

Reveal its Contents

50

Revealing the Session

50

View Clips Contained in

50

5.5.4 Template Sets

51

5.6 Live Projects

53

A New Project Was

55

Added Next to Tango

55

Project

55

Added by Saving a Live

56

Set Outside its Original

56

5.6.2 Projects and Presets

57

5.7 The Live Library

58

The Change Location

60

5.8 Locating Missing Files

61

5.8.1 Manual Repair

62

5.8.2 Automatic Repair

62

Automatic Repair

63

Options in the File

63

Manager

63

Options for Collecting

64

External Files

64

5.9.1 Collect Files on Export

65

5.11 Finding Unused Files

66

5.13 File Management FAQs

67

Folder Structure?

69

Arrangement View

70

6.1 Navigation

71

6.2 Transport

72

Scrubbing Arrangement

73

Playback

73

Setting the Play Position

73

Position Fields

73

Using Locators to

74

Launch Play in the

74

Arrangement

74

The Locator Controls

74

6.4 Time Signature Changes

75

6.5 The Arrangement Loop

77

6.6 Moving and Resizing Clips

78

Fades in the

79

Crossfaded Clips

80

6.8 Selecting Clips and Time

81

6.9 Using the Editing Grid

82

A Gap Between Clips

83

Has Been Cut by First

83

Selecting It, Then

83

Executing the Cut Time

83

Command

83

6.11 Splitting Clips

84

6.12 Consolidating Clips

84

Consolidating Several

85

Clips Into a New Clip

85

Session View

86

7.1 Session View Clips

87

7.2 Tracks and Scenes

88

These Scenes Will

89

Change the Tempo and

89

Time Signature

89

7.3 The Track Status Fields

90

7.4.1 Select on Launch

91

7.4.3 Editing Scenes

92

CHAPTER 7. SESSION VIEW 91

93

The Stop All Clips

94

Clip View

95

CHAPTER 8. CLIP VIEW 94

96

The Clip View for an

97

Audio Clip

97

CHAPTER 8. CLIP VIEW 96

98

8.1 The Clip Box

99

8.1.3 Clip Signature

100

8.1.4 Clip Groove Chooser

100

8.1.5 Clip Offset and Nudging

101

8.2 The Sample Box

102

The Clip Zoom/Scroll

103

The Clip Overview

103

CHAPTER 8. CLIP VIEW 102

104

The Clip Scrub Area

105

The Clip Loop Controls

106

Setting the Clip to Run

107

Into a Loop

107

8.2.3 Clip Pitch and Gain

108

The Save Default Clip

109

The High Quality Switch

109

The Clip Fade Switch

110

Automatically Create

110

Short Fades At Clip

110

8.2.8 Clip RAM Mode

111

8.2.9 Reversing Samples

111

8.2.10 Cropping Audio Clips

112

8.3 The Notes Box

113

8.3.2 Bank and Program Change

114

8.3.3 MIDI Loop/Region

114

Tempo Control and Warping

115

9.1.2 Tapping the Tempo

116

9.1.3 Nudging the Tempo

116

9.2 Time-Warping Samples

117

9.2.1 Tempo Master/Slave

118

9.2.2 Warp Markers

118

Double-Clicking In the

119

Sample Creates a Warp

119

The Follow Switch in the

119

Control Bar

119

Transient Markers

120

9.2.3 Using Warp Markers

121

Setting the Warp

122

Markers for a Poorly Cut

122

Using Warp Markers to

123

Manipulate the Groove

123

Auto-Warp's Results in

124

The Metronome Switch

124

Using the Context Menu

125

9.2.4 Quantizing Audio

127

9.3.1 Beats Mode

128

9.3.2 Tones Mode

129

9.3.3 Texture Mode

129

9.3.4 Re-Pitch Mode

129

Chapter 10

130

10.2 The MIDI Editor

131

Previewing MIDI Notes

132

Note Scale Position Is

132

Shown Vertically and

132

Beat-Time Horizontally

132

MIDI Editor Navigation

133

10.4 Editing MIDI

135

10.4.3 Grid Snapping

136

10.4.4 Editing Notes

136

10.4.5 Changing Note Length

138

10.4.7 Quantizing Notes

139

10.4.8 Editing Velocities

140

Drawing Identical

141

Velocities (Left) and a

141

Crescendo (Right)

141

10.4.9 MIDI Note Stretch

142

10.4.10 Cropping MIDI Clips

143

10.4.11 Deactivating Notes

143

Using Grooves

144

11.1 Groove Pool

145

The Groove Pool

146

11.2 Editing Grooves

147

11.3 Groove Tips

148

CHAPTER 11. USING GROOVES 147

149

Launching Clips

150

12.2 Launch Modes

151

12.3 Clip Launch Quantization

152

12.4 Velocity

152

12.5 Legato Mode

153

12.6 Follow Actions

153

The Follow Action

154

Controls

154

12.6.2 Creating Cycles

156

Routing and I/O

159

13.1 Monitoring

160

13.2 Exter nal Audio In/Out

161

13.3 Exter nal MIDI In/Out

162

The MIDI Ports List in

163

Activating the Computer

163

MIDI Keyboard

163

13.3.4 MIDI In/Out Indicators

164

13.4 ReWire Slave Routing

165

13.5 Resampling

166

13.6 Inter nal Routings

167

Tap Points for Track

168

Routing

168

Tap Points for Every

169

Chain in a Track

169

An Example Setup for

170

Post-Effects Recording

170

Recording the Output of

171

Audio Tracks

171

Submixing the Individual

172

Drums of a Drum Kit

172

Submixing by setting a

172

Sends Only

172

Feeding an Additional

173

MIDI Track Into an

173

Existing MIDI Track to

173

Reuse its Instrument

173

The Instrument Has

174

Been Isolated in a

174

Dedicated Track

174

Using Impulse's

175

Individual Outs to

175

Separately Process

175

Sample Slots

175

Tracks Feeding MIDI to

176

From the Parts of a

176

Multi-Timbral

176

Instrument

176

Routing a Speech Signal

177

Into a Vocoder's

177

Sidechain Input

177

Using an Auxiliary MIDI

178

Track to Layer

178

Instruments

178

Chapter 14

179

The Session View Mixer

180

The Mixer Section

180

Selectors

180

The Mixer Controls

181

14.1.1 Session Mixer Features

182

14.2 Audio and MIDI Tracks

183

The Send Controls and

184

Pre/Post Toggle

184

The Crossfader and

185

Selector

185

Choose from Seven

186

Crossfader Curves

186

Crossfader Curve

186

Properties

186

Crossfade Assign

187

Buttons

187

14.5 Soloing and Cueing

188

14.6 Track Delays

189

CHAPTER 14. MIXING 188

190

Recording New Clips

191

15.3 Recording

193

Recording a New Clip

195

Into the Session View

195

15.3.4 MIDI Step Recording

197

15.4 Recording in Sync

198

15.6 Recording with Count-in

199

15.7 Setting up File Types

200

The Scene Up/Down

201

A Track Launch Button

201

The Step Recording

201

Working with Instruments and

202

Devices in the Track

203

Devices Can Be Folded

203

16.1 Using the Live Devices

204

MIDI and Audio Track

205

Arm Buttons

205

A MIDI Track's Device

206

Chain Can Contain All

206

Three Device Types

206

Device Activator

206

Switches

206

16.1.1 Live Device Presets

207

Presets in the Device

208

Browser

208

The Hot-Swap Presets

208

The Save Preset Button

209

The Default Presets

209

16.2 Using Plug-Ins

210

The Plug-In Device

211

A VST Plug-In in the

212

Track View

212

The Plug-In Unfold

212

The Plug-In Edit Button

213

The Congure Button

214

16.3 VST Plug-Ins

216

Setting up VST Plug-In

217

Sources for Mac OS X

217

16.3.2 VST Programs and Banks

218

16.4 Audio Units Plug-Ins

219

Activating Audio Units

220

Plug-Ins

220

Opening an Audio Units

220

Plug-In Window

220

Chapter 17

222

17.1 An Overview of Racks

223

17.2 Drum Racks

224

17.2.1 Pad View

225

Chapter 18

227

18.2 Deleting Automation

228

18.3 Overriding Automation

228

Automation Envelopes

229

18.4.1 Drawing Envelopes

230

18.4.2 Editing Breakpoints

231

18.4.3 Locking Envelopes

232

18.4.4 Edit Menu Commands

232

The Tempo Envelope

233

Clip Envelopes

234

The Clip View's

235

Envelopes Box

235

19.2 Audio Clip Envelopes

236

The Transposition

237

Envelope with Steps

237

(Top) and Ramps

237

(Bottom)

237

19.2.4 Scrambling Beats

238

Repeating Steps and

239

Slowing Time with the

239

Sample Offset Envelope

239

19.3.2 Modulating Pan

241

A MIDI Controller Clip

242

Envelope

242

Using a Clip Envelope to

243

Create a Fade-Out Over

243

Several Repetitions of a

243

The Sample (Left) and

244

Envelope (Right) Start

244

19.5.4 Clip Envelopes as LFOs

245

Live Audio Effect Reference

246

20.2 Auto Pan

248

20.3 Beat Repeat

249

ask for them. If Chance

250

time; if

250

20.4 Chorus

251

20.5 Compressor

252

20.5.1 Sidechain Parameters

255

20.5.2 Compression Tips

256

20.6 Dynamic Tube

258

20.7 EQ Eight

259

20.8 EQ Three

261

20.9 Erosion

262

20.10 Filter Delay

263

20.11 Flanger

264

20.12 Gate

265

20.13 Grain Delay

267

20.14 Phaser

268

20.15 Ping Pong Delay

270

20.16 Redux

271

20.17 Resonators

272

20.18 Reverb

274

20.18.3 Global Settings

275

20.18.4 Diffusion Network

275

20.19 Saturator

276

20.20 Simple Delay

278

20.21 Spectrum

280

20.22 Utility

281

20.23 Vinyl Distortion

282

Live MIDI Effect Reference

284

Pinky Up and Pinky

286

UpDown

286

Thumb Up and

286

Thumb UpDown

286

21.2 Chord

288

21.3 Note Length

289

21.4 Pitch

290

21.5 Random

291

21.6 Scale

292

21.7 Velocity

293

Live Instrument Reference

295

22.1 Impulse

296

22.1.3 Filter

297

22.1.4 Saturator and Envelope

298

22.1.5 Pan and Volume

298

22.1.6 Global Controls

298

22.1.7 Individual Outputs

298

22.2 Simpler

299

22.2.2 Sample Controls

300

22.2.3 Zoom

300

22.2.4 Envelope

301

22.2.5 Filter

301

22.2.6 LFO

301

22.2.7 Glide and Spread

302

Max for Live

306

The Path to the Max

307

Installation

307

A Max Device and its

308

A Default Max Audio

308

The Edit Button for a

309

Max Device

309

Effect in the Patcher

309

23.4 Max Dependencies

310

MIDI and Key Remote Control

311

24.1 MIDI Remote Control

312

Control Surfaces Can

314

Follow Device Selection

314

Getting Hands-On:

314

Control Surfaces Can Be

314

Locked to Devices

314

Dening Control

315

Surfaces Manually

315

24.1.3 Takeover Mode

316

24.2 The Mapping Browser

317

24.2.2 Mapping to MIDI Notes

318

and Twos

320

065127 063001

320

The Relative Session

321

Mapping Strip

321

The Key Map Mode

322

Using the APC40

324

25.2 Clip Launch Matrix

325

Session View Clip and

326

Navigation Controls

326

25.3 Session Overview

327

25.4 Mixer Section

328

25.5 Device Control

329

Transport and Global

330

25.7 Track Control

331

25.8 Tempo Control

332

25.9 Crossfader

333

25.11 Combination Mode

334

Using the APC20

335

26.2 Clip Launch Matrix

336

26.3 Session Overview

338

26.5 Mixer

339

Mixer Controls

340

26.6 Note Mode

341

26.7 Combination Mode

341

Using the Launchpad

343

27.3 Session Mode

344

27.3.1 Launching Clips

345

27.3.2 Session Overview

346

27.4 User Modes

347

Setting Up The

348

Launchpad For Custom

348

Assignments

348

27.5 Mixer Mode

349

27.5.1 Mixer Overview

350

27.5.2 The Volume Page

351

27.5.3 The Pan Page

352

27.5.4 The Send Pages

353

Synchronization and ReWire

354

Choosing a MIDI Slave

355

Setting up Live as a MIDI

355

28.1.3 MIDI Timecode Options

356

28.1.4 Sync Delay

356

28.2 Connecting via ReWire

357

28.2.3 More on ReWire

359

Computer Audio Resources and

360

Strategies

360

The CPU Load Meter

361

29.1.3 Track Freeze

362

A Frozen Arrangement

363

Track with a Reverb Tail

363

29.2 Managing the Disk Load

364

Audio Fact Sheet

365

30.2 Neutral Operations

366

30.2.7 Freeze, Flatten

369

30.2.8 Bypassed Effects

370

30.2.9 Routing

370

30.2.10 Splitting Clips

370

30.3 Non-Neutral Operations

371

30.3.2 Volume Automation

372

30.3.3 Dithering

372

30.3.6 Consolidate

373

30.3.7 Clip fades

373

30.3.8 Panning

373

30.3.9 Grooves

374

30.5 Summary and Conclusions

375

MIDI Fact Sheet

376

31.2 MIDI Timing Problems

377

31.5 Tests and Results

380

MIDI Output Test

381

Conguration

381

Selecting the MIDI Port

382

Type (Windows)

382

31.7 Summary and Conclusions

383

Live Keyboard Shortcuts

384

32.2 Accessing Menus

385

32.3 Adjusting Values

385

32.4 Browsing

386

32.5 Transport

386

32.6 Editing

387

32.8 Session View Commands

388

32.10 Commands for Tracks

389

Keyboard

390

32.15 Clip View MIDI Editor

392

32.17 Global Quantization

393

32.20 Using the Context Menu

394

Chapter 33

395

INDEX 397

399

INDEX 398

400

INDEX 399

401

INDEX 400

402

INDEX 401

403

INDEX 402

404

INDEX 403

405

INDEX 404

406

INDEX 405

407

INDEX 406

408

INDEX 407

409

INDEX 408

410





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